![]() Petty is celebrated for his music, but he had integrity. The relatively quirky “Don’t Come Around Here No More” was about as left of center as Petty would ever drift, thanks to a collaboration with the Eurythmics' Dave Stewart. He added elements of Southern rock, garage rock and British Invasion. Petty didn’t stray far from his rootsy rock. ![]() However, the singer with the perpetually slow gait took his influences to another place. ![]() Petty, who played his final two shows in Philadelphia in July – each sellouts at the Wells Fargo Center – peppered his fans with cliches from the stage. Petty, with his nasal twang, wasn’t the best singer or the finest frontman. “There is nobody like Tom Petty,” McGuinn said.Įven though Petty, like every other young artist appropriated from those he admired, the Gainesville native was unique. McGuinn, 75, stressed he will always celebrate his pal’s life, friendship and music privately and on stage. “When I covered ‘American Girl,’ I changed a word or two and Tom asked me if it was because the vocal was too high and I said ‘yes.’ I had fun with Tom’s song.” “I liked him enough to invite Petty and the Heartbreakers to open for us in 1976,” McGuinn recalled. Few would argue Petty was one of the most easy going iconic figures in rock. McGuinn and Petty hit it off like most who met the latter. I was told that a guy from Florida named Tom Petty wrote and sings the song, and I said that I had to meet him.” The vocal inflections were just like mine. “I was kidding, but the vocal style sounded just like me and then there was the Rickenbacker guitar, which I used. “I said, ‘when did I record that?” McGuinn said while calling from his Orlando home.
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